ART and POLITICS NOW – Susan Noyes Platt, PhD

Tag Archives: Parviz Tanavoli

“In the Fields of Empty Days: Intersections of Past and Present in Iranian Art,”

“In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art” at The Los Angeles County Museum is a show on a crucial topic. Although much of the work is contemporary, note that the title does not say that. Tirafkan’s image speaks volumes of the intersection of past and present that […]

This entry was posted on June 25, 2018 and is filed under Art and Politics Now, art criticism, Contemporary Art, Iran, Iranian protests, Iranian Women, Uncategorized.

Tags: "In the Field of Empty Days" "The Intersection of Past and Present in Iranian Art", Abbas, Ardeshir Mohassess, Fereydoun Ave, Iranian Art, Kaveh Golestan, Kimon Evan Marengo, Linda Komaroff, Los Angeles County Museum of Art, Malekeh Nayiny, Parviz Tanavoli, Ramin Haerizadeh, Sadegh Tirafkan, Shahnama, Shoja Azari, Siamak Filizadeh, Yasmin Sinai
Word into Art Artists of the Modern Middle East

Word into Art: Artists of the Modern Middle East at the British Museum explores the complexity of contemporary Middle Eastern culture from the perspective of the use of calligraphy and text.

This entry was posted on June 14, 2007 and is filed under Art and Politics Now, art criticism, Iraqi Art, Iraqi contemporary art, Uncategorized.

Tags: "Word into Art", Artists of the Modern Middle East", British Museum, Dia al Azzawi, Leila Shawa, Parviz, Parviz Tanavoli