• Home
• Art Historian
  • Biography
  • Curriculum Vitae
  • Research Articles
  • Art and Politics Now Cultural Activism in a Time of Crisis
  • Art and Politics Then and Now (Denver)
  • Art and Politics in the 1930s
  • Exposing the Invisible Art About Detention
  • Modernism in the 1920s
  • Book Projects: Collected Writings
• Blog
• Art Critic
  • Reviews of Exhibitions in US since 1982
  • Art Exhibitions Outside the US
  • Book Reviews
• Curator
  • Immigration: Hopes Realized, Dreams Derailed
  • Liberty Denied: Immigration, Detention, Deportation An exhibition
  • Art Exhibition “Cultural Activism in a Time of Crisis”
  • Selma Waldman “The Pornography of Power”
  • “War is Trauma” exhibition
• Migration Project
  • Fulgencio Lazo: In Celebration of Immigrant Workers
  • Internalized Borders at John Jay School of Criminal Justice
  • Artists Protest Immigration Policy: A Brief History
  • Essays on Immigration
  • Immigration: Hopes Realized, Dreams Derailed
  • Migration Now portfolio by Just Seeds and Culture Strike
  • Grassroots Protests at the Tacoma Detention Center
  • “Liberty Denied: Immigration, Detention, Deportation” an exhibition
  • Migration: Tatiana Garmendia, Cecilia Alvarez, Deborah Faye Lawrence

Tag Archives: Iranian Art

1. Iran US Collaboration: Emotional Numbness: The Impact of War on the Human Psyche and Ecosystems

       “Emotional Numbness, the Impact of War on the Human Psyche and Ecosystems”   This exhibition is in Tehran, Iran, but available to see anywhere! It is a collaboration between US based group WEAD, Women Eco Artists Dialog and artists in Tehran, Iran. You can see two excellent online tours of the exhibition  here […]

   This entry was posted on December 27, 2020 and is filed under Art and Activism, Art and Ecology, Art and Politics Now, Art in War, ecology, Feminism, Uncategorized.

   Tags: Alice Dubiel, Artists Beyond Borders, Emtional Numbness the IMpact of War on the Human Psyche and ecosystems, Farzaneh Najafi, Feminism and Climate Change, Gazelle Samizay, Iran, Iranian Art, Jeanne Wilkinson, Kolya Grokhovsky, Labkhand Olfatmanesh, Minoosh Atefeh Khas, Nazli Abbaspour, Platform 3, Sara Madander, US Iran collaboration, Verona Fonte, WEAD, Women Eco Artists Dialog

2. “In the Fields of Empty Days: Intersections of Past and Present in Iranian Art,”

   “In the Fields of Empty Days: The Intersection of Past and Present in  Iranian Art” at The Los Angeles County Museum  is a show on a crucial topic. Although much of the work is contemporary, note that the title does not say that. Tirafkan’s image speaks volumes of the intersection of past and present that […]

   This entry was posted on June 25, 2018 and is filed under Art and Politics Now, art criticism, Contemporary Art, Iran, Iranian protests, Iranian Women, Uncategorized.

   Tags: "In the Field of Empty Days" "The Intersection of Past and Present in Iranian Art", Abbas, Ardeshir Mohassess, Fereydoun Ave, Iranian Art, Kaveh Golestan, Kimon Evan Marengo, Linda Komaroff, Los Angeles County Museum of Art, Malekeh Nayiny, Parviz Tanavoli, Ramin Haerizadeh, Sadegh Tirafkan, Shahnama, Shoja Azari, Siamak Filizadeh, Yasmin Sinai

• Contact Me
• Follow Blog