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Tag Archives: Firelei Baez

1. Firelei Báez, To breathe full and free

     Pamela Allara, Ph.D., my colleague in art history and all things, contributed this post about a stunning exhibition in Boston. Firelei Báez’s installation, “To Breathe Full and Free: a declaration, a re-visioning, a correction…” at the Institute of Contemporary Art’s Watershed gallery was one of the most exciting exhibitions that the ICA has mounted […]

   This entry was posted on September 18, 2021 and is filed under Art and Ecology, Art and Politics Now, ecology, Uncategorized.

   Tags: 42° 21'48.762" N 71°1'59.628" W, a correction (19°36'16.9"N 72°13'07.0"W, a re-visioning, Dominican Republic, Firelei Baez, Haiti, Pamela Allara, Sans Souci Palace, To breathe full and free: a declaration

2. Breathe! at Bainbridge Island Museum of Art and several provocative new shows at the Henry Art Gallery

   Provocative artists in several shows at the Bainbridge Island Museum of Art and the Henry Art Gallery

   This entry was posted on April 14, 2021 and is filed under Art and Activism, Art and Politics Now, art criticism, Contemporary Art, ecology, Feminism, Uncategorized.

   Tags: ", "Illustrating Injustice, "Plural Possibilities and the Female Body, "We Own Our Work", Bainbridge Island Museum of Art, bambitchell: Bugs and Beasts Before the Law, Beth Theilen, Carletta Carrington Wilson, Cheri Gaulke and Sue Maberry, Danny Lyon, Donald Byrd, Firelei Baez, Fred hagstrom, Henry Art Gallery, Honore Daumier, Hostile Terrain, Humaira Abid, Linda Wolf, Michelle Kumata, Ria Brodell, Roger Shimomura, The Power of Print", Washington State History Museum

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